[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column css=\u00bb.vc_custom_1640106317873{margin-right: 60px !important;margin-left: 60px !important;}\u00bb][vc_column_text]<\/p>\n
[\/vc_column_text][vc_separator type=\u00bbsmall\u00bb position=\u00bbleft\u00bb][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_column_text css=\u00bb.vc_custom_1637167281076{margin-right: 60px !important;margin-left: 60px !important;}\u00bb]En \u201cSombra Ef\u00edmera\u201d queremos crear a partir del trabajo de campo, investigar y presentar las coreograf\u00edas de Eduardo Guerrero en un marco diferente y \u00fanico, impactante y novedoso. La arquitectura de Marco Canevacci ser\u00e1 ese marco en el que dialogan tradici\u00f3n y experimentaci\u00f3n; una arquitectura neum\u00e1tica, que se diferencia considerablemente de las t\u00e9cnicas estructurales convencionales; ya que tiene como principal sost\u00e9n el aire.<\/p>\n
\u201cSombra Ef\u00edmera\u201d es una propuesta en la que confluyen diferentes narrativas y lenguajes art\u00edsticos que conforman un todo po\u00e9tico. La m\u00fasica, la imagen y la arquitectura unidas a trav\u00e9s del baile de Eduardo Guerrero.<\/p>\n
\u201cSombra Ef\u00edmera\u201d es un proyecto instalativo en el que las im\u00e1genes dimensionales ganan plasticidad y permiten al espectador imaginar multiplicidad de mundos, construir espacios privados e \u00edntimos en relaci\u00f3n con el espacio p\u00fablico. Una creaci\u00f3n donde las Artes Pl\u00e1sticas y las Artes Esc\u00e9nicas se unen aport\u00e1ndose mutuamente, uniendo caminos art\u00edsticos diferentes que dimensionan a trav\u00e9s de la belleza ambas disciplinas.[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column offset=\u00bbvc_col-lg-offset-1 vc_col-lg-10″][vc_gallery interval=\u00bb3″ images=\u00bb418,417,416,415,414,413,412,411″ img_size=\u00bbfull\u00bb][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column width=\u00bb1\/2″ offset=\u00bbvc_col-lg-offset-1 vc_col-lg-5 vc_col-md-offset-0 vc_col-xs-offset-1″][vc_column_text css=\u00bb.vc_custom_1639684205515{margin-left: 0px !important;}\u00bb]<\/p>\n
[\/vc_column_text][vc_separator type=\u00bbsmall\u00bb position=\u00bbleft\u00bb][vc_row_inner row_type=\u00bbrow\u00bb type=\u00bbfull_width\u00bb text_align=\u00bbleft\u00bb css_animation=\u00bb\u00bb][vc_column_inner][vc_column_text]BAILE<\/strong><\/p>\n Eduardo Guerrero<\/p>\n CANTE<\/strong><\/p>\n Samara Monta\u00f1\u00e9z<\/p>\n GUITARRA<\/strong><\/p>\n Javier Ib\u00e1\u00f1ez<\/p>\n DURACI\u00d3N<\/strong><\/p>\n 60 minutos[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00bb1\/2″ offset=\u00bbvc_col-lg-offset-0 vc_col-md-offset-0 vc_col-xs-offset-1″][vc_column_text]<\/p>\n [\/vc_column_text][vc_separator type=\u00bbsmall\u00bb position=\u00bbleft\u00bb][vc_row_inner row_type=\u00bbrow\u00bb type=\u00bbfull_width\u00bb text_align=\u00bbleft\u00bb css_animation=\u00bb\u00bb][vc_column_inner][vc_column_text]DIRECTOR ART\u00cdSTICO Y DISE\u00d1O ESC\u00c9NICO<\/strong><\/p>\n Mateo Feij\u00f3o<\/p>\n DIRECCI\u00d3N<\/strong><\/p>\n Eduardo Guerrero<\/p>\n DIRECCI\u00d3N MUSICAL<\/strong><\/p>\n Javier Ib\u00e1\u00f1ez<\/p>\n COREOGRAF\u00cdAS<\/strong><\/p>\n Eduardo Guerrero<\/p>\n DISE\u00d1O DE SONIDO<\/strong><\/p>\n F\u00e9lix V\u00e1zquez<\/p>\n M\u00daSICA Y LETRAS<\/strong><\/p>\n Javier Ib\u00e1\u00f1ez y letras populares<\/p>\n DISE\u00d1O DE ILUMINACI\u00d3N<\/strong><\/p>\n Antonio Valiente<\/p>\n ARQUITECTURA<\/strong><\/p>\n Marco Canevacci – Plastique Fantastique<\/p>\n AYUDANTE DE ARQUITECTURA<\/strong><\/p>\n Mar\u00eda Turik<\/p>\n COORDINACI\u00d3N ART\u00cdSTICA<\/strong><\/p>\n Clara Castro<\/p>\n VESTUARIO<\/strong><\/p>\n Lurdes Bergada & Syngman Cucala<\/p>\n CALZADO<\/strong><\/p>\n Bego\u00f1a Cervera<\/p>\n FOTOGRAF\u00cdA<\/strong><\/p>\n Carlos Zaragoza, J.C Duran y<\/p>\n Oiscar Romero<\/p>\n PRODUCCI\u00d3N<\/strong><\/p>\n Ashara Cultura S.L.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb css=\u00bb.vc_custom_1636473296441{margin-top: 50px !important;margin-left: 50px !important;}\u00bb z_index=\u00bb\u00bb][vc_column width=\u00bb1\/3″ offset=\u00bbvc_col-lg-offset-0 vc_col-lg-7″ css=\u00bb.vc_custom_1638471392368{margin-left: -30px !important;}\u00bb][vc_column_text css=\u00bb.vc_custom_1638470974454{border-top-width: 50px !important;}\u00bb]<\/p>\n El Diario de Sevilla rese\u00f1a esta obra como una de las m\u00e1s destacadas del escenario andaluz en los \u00faltimos tiempos…<\/p>\n M\u00e1s en:\u00a0\u00a0https:\/\/www.diariodesevilla.es\/<\/a>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/4″ css=\u00bb.vc_custom_1638469631736{margin-top: 50px !important;}\u00bb offset=\u00bbvc_col-lg-offset-1 vc_col-lg-4 vc_col-xs-offset-3″]Dossier<\/a>[\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column width=\u00bb3\/4″ offset=\u00bbvc_col-lg-offset-2 vc_col-lg-8 vc_col-sm-offset-2″ css=\u00bb.vc_custom_1638471052934{border-top-width: 50px !important;border-bottom-width: 50px !important;}\u00bb][vc_video link=\u00bbhttps:\/\/vimeo.com\/381640870″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column css=\u00bb.vc_custom_1640106317873{margin-right: 60px !important;margin-left: 60px !important;}\u00bb][vc_column_text] SINOPSIS [\/vc_column_text][vc_separator type=\u00bbsmall\u00bb position=\u00bbleft\u00bb][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_column_text css=\u00bb.vc_custom_1637167281076{margin-right: 60px !important;margin-left: 60px !important;}\u00bb]En \u201cSombra Ef\u00edmera\u201d queremos crear a partir del trabajo de campo, investigar y presentar las coreograf\u00edas de…<\/p>\n","protected":false},"author":1,"featured_media":413,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-45","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.pixel-plus.es\/clientes-web\/EduardoGuerrero\/wp-json\/wp\/v2\/posts\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pixel-plus.es\/clientes-web\/EduardoGuerrero\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pixel-plus.es\/clientes-web\/EduardoGuerrero\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pixel-plus.es\/clientes-web\/EduardoGuerrero\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pixel-plus.es\/clientes-web\/EduardoGuerrero\/wp-json\/wp\/v2\/comments?post=45"}],"version-history":[{"count":36,"href":"https:\/\/www.pixel-plus.es\/clientes-web\/EduardoGuerrero\/wp-json\/wp\/v2\/posts\/45\/revisions"}],"predecessor-version":[{"id":895,"href":"https:\/\/www.pixel-plus.es\/clientes-web\/EduardoGuerrero\/wp-json\/wp\/v2\/posts\/45\/revisions\/895"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pixel-plus.es\/clientes-web\/EduardoGuerrero\/wp-json\/wp\/v2\/media\/413"}],"wp:attachment":[{"href":"https:\/\/www.pixel-plus.es\/clientes-web\/EduardoGuerrero\/wp-json\/wp\/v2\/media?parent=45"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pixel-plus.es\/clientes-web\/EduardoGuerrero\/wp-json\/wp\/v2\/categories?post=45"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pixel-plus.es\/clientes-web\/EduardoGuerrero\/wp-json\/wp\/v2\/tags?post=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}FICHA ART\u00cdSTICA<\/h1>\n
Prensa<\/h2>\n